The M22 power amplifier combines NAD expertise with Hypex N-Core technology. Our unit has the optional BluOS card installed which turns it into a fully functioning music streamer that integrates with the Bluesound whole house audio ecosystem.
#SURROUND SOUND REFERENCE DEMO FULL#
NAD’s new M12 packages a full function digital pre-amplifier with sub crossover into a nice looking chassis with a touch screen and iOS app control. Bluesound, a NAD subsidiary, offer Sonos-like products with superior sound quality. NAD are digital audio innovators, offering many category blurring and technologically unique solutions. It features RCA and XLR inputs and outputs as well as a LFE input for integration into a home theater system. The CR1 is a analog active crossover that lets you perfectly integrate subs with your speakers. Freshly upgraded for 2015 with a new electronics platform providing even greater output and a much more sophisticated 15 band auto-EQ system.
#SURROUND SOUND REFERENCE DEMO SERIES#
The Fathom series was perhaps the most universally acclaimed audio subwoofer in existence. We have their 12″ model, the E112, on display. A useful feature is the onboard high grade analog crossover to high pass your main speakers. It’s available in gloss white as well as the more traditional black ash and gloss black finishes. JL’s E Sub offers super-sub performance in a compact package. Despite the low-ish costs the JL DNA is apparent in the driver, amplifier and cabinet construction. The Dominion series is JL’s entry level home subwoofer line. JL Audio have a range of subwoofers to suit nearly all budgets and performance aspirations.
Not quite “super-resolution” like the SCM19v2 but has significantly better bass extension and output. Again, a superb speaker that competes with other manufacturers products at double the price. The lowest price ATC using their famous dome midrange and the lowest price floorstander in their range. Absolute Sound and Stereophile 2014 product of the year. Shocking resolution, neutrality and coherence that beats out speakers at many multiples the price. Does it really only cost $4299? Yes, that was our reaction too when we first heard the SCM19v2. Still, if you are looking for a small standmount I can think of nothing better sounding and more musically satisfying at this price point. The SCM11v2 is a great speaker but is perhaps a little overshadowed in the ATC Passive Series by the awesomeness of the SCM19 and SCM40. A perfect partner for the NAD D7050 direct digital amplifier. The SCM11v3 is a mini-monitor that fits nicely on a desk. You have to hear them!Ĭome hear the speaker that beat the highly regarded KEF LS50 to best-in-class in a recent Hi-Fi Choice test. I’m not sure I’ve ever heard bass as good as it sounds in our showroom, and I’ve been in A LOT of rooms.Ĭome check it out, you’ll be glad you did!ĪTC make world class, highly neutral speakers with exceptional resolution and dynamic capabilities. Simply put, it’s one of the best rooms we’ve ever listened to music in. Extensive bass trapping together with careful application of reflection control through absorption and diffusion lets you hear the equipment, not the room. Our showroom is sound isolated, which enables you to truly hear what an amplifier or speaker is capable of in terms of resolution and micro dynamics. We naturally applied that knowledge to our own demonstration space. Many clients hire us as consultants because of our knowledge of room acoustic analysis, acoustic treatment design and system setup. Luckily we have a significant advantage compared to most other dealers – we are experts in acoustics. We wanted our showroom to be an acoustically neutral space in which differences between individual components could easily be heard.
When you listen to a new component in such a space what are you really hearing? The room or the equipment? If you don’t have a reference for what the equipment sounds like in a neutral environment (and who really does?) then you really can’t tell the difference between the room and the equipment. Most dealers operate in rooms that have never been acoustically measured and have significant bass issues. Room acoustics are a critical factor in the what you hear.
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